Classical Traditions of the Piano Concerto by Ruslan Agababayev

The article is devoted to the analysis of concert for piano and symphony orchestra by modern Azerbaijani composer R. Agababayev. very relevant from point view identifying ways implement classical traditions in a concerto 21st century. It must be said that this issue we have found many such stylistic features testify strong reliance composers on traditions. This study Agababayev’s context historical development genre. Research methodology. choice methodological basis due above goals tasks set ourselves framework work. Based subject matter article, scientific work complex analysis, which implies interaction several research methods at different levels. analytical was theoretical approach, aspects as problem form formation, individual elements musical language are research. novelty lies fact first time special detailed concerto. Conclusions. main conclusion our determine created data obtained during were able trends genre present stage academic music. One important, if not decisive, aspect achieving kind goal identify issues preserving transforming traditions, well innovative tendencies composer’s solution particular Single-movement concertos become widespread music since beginning era romanticism. And one-part concerts, connections with romantic deeply felt. Moreover, each specific work, these reflected especially. Since Agababayev demonstrates an interesting original interpretation, combined inner poly-part one, typically tendency associated composers’ desire compress cycle.